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Medieval and Manuscripts

Bosom of Abraham Trinity

Bosom of Abraham Trinity
Bosom of Abraham Trinity

The Bosom of Abraham Trinity, also known as the Trinity with souls, is a rare iconography apparently unique to English medieval alabaster sculpture, of which only twelve examples are known to have survived, although there were undoubtedly many more made. They adapt an earlier convention where a figure of Abraham himself held tiny figures of souls in a cloth between his hands representing the Bosom of Abraham. In a composition showing the "Throne of Mercy" type of the Trinity, a group of tiny figures are seen in a cloth or "napkin" held or supported between the hands of God the Father. These represent the souls of the saved. There are five examples of free-standing statues known, in the Burrell Collection Museum in Glasgow, the Museum of Fine Arts, Boston and elsewhere, and seven high relief panels. The Burrel statue is 89 cm tall, and the Boston one 95 cm. The panels are presumably the usual size for such works, typically 40 x 25 cm, perhaps larger if they are the central panel in an altarpiece group. Both terms for the subject are the invention of modern art historians. In the Boston figure, dated 1420–50, nine "souls" are seen, in two rows, with a king and bishop in the centre of the top row, distinguishable by their crown and mitre. The napkin is not held by God, whose two hands are raised in a blessing gesture; it seems tied around the souls and to rest on God's lap. Male and female donor figures with banderoles kneel beside God's feet; they are at an intermediate scale between God and the souls. The Burrell figure, dated as 14th century, also has nine "souls" but the figures themselves are apparently restored; God holds an end of the napkin in either hand. There were earlier images, common in the great French Gothic cathedrals of the 13th century, illustrating Abraham himself with small souls represented as children in his cloak, or held in a napkin in the same way as in the alabasters. By "about the early fourteenth century" such images ceased to be "theologically acceptable", though it seems this news had not reached Cornwall by the early 16th century, when a stained glass Abraham with a napkin of souls was installed in the parish church at St Neot, Cornwall (picture below).

Also on this shelf

Church of the Nativity of the Blessed Virgin Mary, Singapore.

St John the Evangelist's Church, Ashton Hayes.

See also

Uncatalogued shelf

Text from Wikipedia; plate via Wikimedia Commons. Text CC BY-SA 4.0; plate freely licensed (see Commons). Source record. Images and catalogue data are reproduced from open-access collections.

Depth 3
Shelf 98baba31c9ace2
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