Asian Art
Adi Shankara (8th c. CE), also called Adi Shankaracharya (Sanskrit: आदि शङ्कर, आदि शङ्कराचार्य, romanized: Ādi Śaṅkara, Ādi Śaṅkarācārya, lit. 'First Shankara', pronounced [aːd̪i ɕɐŋkɐraːt͡ɕaːrjɐ]), was an Indian Vedic scholar-monk, philosopher, and teacher (acharya) of Advaita Vedanta. He wrote influential commentaries on the Brahma sutras and other texts, and in recent times is often revered as the most important Indian philosopher. Reliable information on Shankara's actual life is scant, and the historical influence of his works on Hindu intellectual thought has been questioned. The historical Shankara was probably relatively unknown and Vaishnava-oriented and his true impact lies in the popular perception of him as a heroic religious leader who re-established traditional Hinduism. Until the 10th century Shankara was overshadowed by his older contemporary Maṇḍana Miśra, and there is no mention of him in concurrent Hindu, Buddhist or Jain sources until the 11th century. The legendary Shankara was created in the 14th century, centuries after his death, when Sringeri maṭha (monastery, temple-school) started to receive patronage from the emperors of the Vijayanagara Empire and shifted their allegiance from Advaitic Agamic Shaivism to Brahmanical Advaita orthodoxy. Hagiographies dating from the 14th-17th centuries deified him as a ruler-renunciate, travelling on a digvijaya (conquest of the four quarters) across the Indian subcontinent to propagate his philosophy, defeating his opponents in theological debates. These hagiographies also portray him as founding four mathas. Adi Shankara also came to be regarded as the organiser of the Dashanami monastic order, and the unifier of the Shanmata tradition of worship. The title of Shankaracharya, used by heads of certain monasteries in India, is derived from his name. Tradition also portrays him as the one who reconciled the various sects (Vaishnavism, Shaivism, and Shaktism) with the introduction of the Pañcāyatana form of worship, the simultaneous worship of five deities – Ganesha, Surya, Vishnu, Shiva, and Devi, arguing that all deities were but different forms of the one Brahman, the invisible Supreme Being. Owing to his later fame over 300 texts are attributed to him, including commentaries (bhāṣya), introductory topical expositions (prakaraṇa grantha) and poetry (stotra).
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Bengal Subah.
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